Compare and Contrast the Presentation of Love in the Relationships Between Edgar and Catherine and Catherine and Heathcliff

The two most significant relationships in Catherines life atomic number 18 with Edgar and Heathcliff however, they could non be more assorted. Her relationship with Heathcliff is genius of raw, infixed passion non social stamina, whereas her marriage to Edgar is one based on convention. Her two l everywheres get along to represent the two conflicting parts of her identity and it is the internal splutter in the midst of these conflicting varletulses that can be said to lead to her remainder. As the novel straight-from-the-shoulders, Mr Lockwood says that Heathcliff is a dark-skinned gypsy in aspect in dress and adroitness a gentleman He likewise observes that Heathcliff allow for do and hate equally. His description of casual violence lack of manners or charteration for other(a) people which char makeerizes Heathcliff is all a glimmering of the atmosphere of the whole novel, in which that violence is contrasted with more genteel and cultivate ways of living repre sented by the Lintons.When Nelly Dean begins to narrate the reputation of Heathcliffs past, she describes him with discrimination. When Heathcliff is first introduced, Mr Earnshaw says ut you must een take it as a salute of God, though its as dark almost as if it came from the devil. Bronti implies early on that Heathcliff has gifts from two God and the Devil (good and bad characteristics). Nelly Dean describes him as a dirty, ragged, swart-haired child big enough to walk and talk she also everlastingly refers to Heathcliff as it- Mrs Earnshaw was ready to fling it out of doors. Hes a Gypsy brat, Heathcliff is constantly referred to as if he werent human.Nelly talks of how he repeated over and over again some gibberish that no dust could understand this portrays him as a wild animal/beast. Catherine and Hindley dont automatically get on with Heathcliff. Catherine showinged her humour by grinning and spitting at the stupid little thing then far later on Mrs Dean describ es the friends to be very thick. Heathcliffs origins atomic number 18 entangled he was found and Not a soul knew to whom he belonged. Nelly says they had christened him Heathcliff.. nd it has served him ever since, both for Christian and surname this emphasizes the estimation of how low Heathcliffs class is because in the 18th century, the absence of a individuals surname exposed a lack of background. Hindley hates Heathcliff from the beginning and the generator com manpowerts on how he covers Heathcliff as a usurper of his parents esteems This conveys how Heathcliff was favoured above the children. Bronti describes Heathcliff to be as uncomplaining as a lamb which persuades the reader to weigh he is innocent.It is also a biblical phrase as in the bible lambs were used to portray the artlessness and purity of life. Hindley fiercely calls Heathcliff an imp of Satan in contrast to the original idea that he was innocent and corresponds to the idea that Heathcliff has gift s from both God and from the devil. In the next chapter, Catherine and Heathcliff become extremely close. She was a lot too fond of Heathcliff. The greatest punishment we could invent for her was to keep her break in from him says Nelly showing that the two were inseparable.When Catherines father dies, Nelly Dean comments on how they both narrow down up a heart breaking cry this shows that Heathcliff is the single person Catherine can now turn to and that they only have each other to get through the sorrow. In Chapter VI when Heathcliff describes Thrushcross Grange, he says it was beautiful, a gauzy place carpeted with crimson and crimson-covered chairs and tables and a pure white detonating device bordered by gold This description creates a heavenly take to of splendour especially to Heathcliff who has neer seen anything like it before.Bronti uses the drawing room window to symbolize the limitation between the two classes since it divides the two sets of children. T he window is the prohibition motif shown throughout the novel. When Catherine is accepted into the house and Heathcliff is rejected, this is the end of their childhood innocence and the beginning of their awareness of the difference of class and I would have been on that point too, further they had non the manners to ask me to stay Earlier on in the novel, Mr Lockwoods describes Wuthering Heights the house and its furniture are described as plain and nonhing extraordinary he floor was of smooth, white gem the chairs high-backed This contrast with the description of the Grange and perhaps Bronti uses this as a fiction to describe the social context of the inhabitants of both houses. The meeting of the two families begins the tug of war for Catherine between Edgar and Heathcliff. Heathcliff describes Catherine to be attracted to the Lintons and full of stupid amazement for them suggesting that Catherines delight for Edgar was built on admiration and for what he represents rather than his innate qualities.At the moment when Heathcliff and Catherines nearness is on the verge of blossoming into deal, social class intrudes into the novel and their affection. As Heathcliff says- I resumed my station as a spy because, if Catherine had adjureed to return, I think shattering their great glass panes to a million fragments, unless they let her out.. This conveys that his love for Catherine is protective and possessive. If the window through which Catherine and Heathcliff first view the Lintons is a fable for class division, then Heathcliff vows to smash both the literal and metaphorical boundary between him and Catherine.When Catherine comes back, it is evident that her stay at the Lintons house was the beginning of the weaken of their relationship because although she is still extremely fond of him, she has corporealized how very black and cross and how funny and grim he appeared, and she has also realized that he is so dirty Heathcliff did not st and to be laughed at and ran away. Catherine has begun to think like the Lintons, and thus begins a thaw in their love. Heathcliff was hard to discover at first- if he were careless and uncared for before Catherines absence, he had been ten times more so, since says Nelly, accent the fact that Catherine had defended and protected Heathcliff in their alkali.Heathcliff was only cared for if she was there. When Catherine returns home her behaviour is acquired her status and appearance as a very dignified person show that she has travel into a variant sphere that of the genteel Lintons. Heathcliff cannot follow her. He tries to follow her, Nelly agnise me decent and he wants to have the effect Edgar has on Catherine I wish I had light hair and fair skin, and was dressed and behaved as well, and had a chance of being as rich as he leave behind beAlthough Cathy still cares for the things she did with him during their childhood, she is still under a lot of public press to become a lady and she is vain enough to enjoy the admiration and approval she receives from Edgar, Hindley and his wife. Just as the window separated the Wuthering heights children from the Lintons in the last chapter, a material object separates Catherine from Heathcliff. The fine dress she wears is a very real boundary between the old friends it must be sacrificed (smudged and crumpled) if she is to embrace Heathcliff.The dress is also a metaphor for the fact that id Catherine is to chap with Heathcliff, the wildness of her character will be exposed. As Catherine is wants to enjoy both Edgars admiration and Heathcliffs love, this leads her to adopt a double character without exactly intending to misdirect anyone Edgar represents the side of Catherine that satisfies her vanity and her yearning for social consequence Heathcliff represents her natural and real emotions. Catherine has to change in order to be loved by Edgar.During one of his visits, she shows her impulsive and impetuous si de when she snatches the cloth from Nellys hand, and pinches her to the great shock of Edgar who only knows her as a very dignified person It seems as though Catherines love for Edgar is based on external considerations you love Mr Edgar because he is heavy(p) and young and loves you says Nelly. Her love is based on his appearance, his wealth and how he feels towards her.Her love for Heathcliff however is internal in her heart she loves him not because hes handsome, but because he is more myself than I am. This suggests that Heathcliff represents the person who Catherine actually is whereas Edgar is who Catherine wants to be in term of social aspirations and consequence. When Catherine tries to explain wherefore she feels she is wrong to marry Edgar, she says she feels it here(predicate) and Here striking one hand on her forehead and the other on her breast as she does so. This creates another metaphorical boundary, between the external and internal Catherines love for Edgar is based on internal qualities but her love for Heathcliff is felt at heart her body.Cathys description of her love for Heathcliff shows the contrast between Lintons softness and Heathcliffs wildness whatever our souls are thin-skinnede of, his and mine are the same and Lintons is as different as a moon beam from lightning or frost from fire. This is an kindle contrast as moon beam and frost are calm and beautiful images, however, they are completely opposite to lightning and fire which are both dangerous and wild things. gall, I never would have raised a hand against himI never would have banished him from her society, as long as she desired his. Correspondingly, he imagines Catherines affection for Edgar in terms of property He is scarcely a stop dearer to her than her dog, or her horse. It is not in him to be loved like me. worldly wealth has always been associated with the Lintons, so Heathcliff extends ideas of property and ownership to their emotions as well. Heathcli ffs reunification with Catherine is presented as bittersweet though passionately glad to be reunited, Catherine accuses Heathcliff of having killed her.Heathcliff warns her not to say such things when they will be branded in his entrepot and eating deeper eternally after her death. He also says that she had been at fault for abandoning him why did you betray you own heart Cathy? You deserve this This passionate scene between Catherine and Heathcliff in this chapter is probably the emotional climax of the novel though it only marks the middle of the book. It is as though they were members (who belong together) of a different species from other humans.Ellen says the two, to a cool spectator, made a strange and direful picture. Catherine tears Heathcliffs hair, and he leaves bruises on her arm. Later, he foamed like a mad dog, and gathered her to him with greedy jealousy. Ellen did not feel as though she were in the company of a member of her own species. What Ellen considers as bestial, the lovers would probably consider transcendent their love sets them apart from others but in what way is open to interpretation.When Catherine dies, Bronti creates a contrast between the ways the two men react to her death. Edgar Linton had his head laid on a pillow and his eyes bar this shows that he is mourning silently and calmly but, Heathcliff dashed his head against the problematical trunk, and lifting up his eyes howled not like a man but like a savage beast getting goaded to death with knives and spears This harsh diction portrays Heathcliffs pain, torment and anger at Catherines death. Bronti uses this language to show that Catherine was Heathcliffs other half without her (his beloved), half of his soul was missing.The comparison between Edgars pacific mourning and Heathcliffs declaration of love again refers to the difference of their emotions and their contrasting natures. The query of what happens after death is important in this chapter and throughout t he novel though no firm answer is given. Ellen is convinced that Catherine went to heaven, where life is boundless in its duration, and love in its sympathy, joy in its fullness. Heathcliff however, cannot conceive of Catherine finding peace treaty whilst they are still separated, or of his living without her.In the chapter before, Catherine said Im fag out to escape into that glorious world and to be always there not seeing it dimly through tears and yearning for it through the walls of an aching heart, but really with it and in it. It is as though she had in headspring a heaven that was like the moors in everyway but with the spirits of natural freedom. Eighteen years after her death, Heathcliffs continued love for Catherines dead body paradoxically emphasizes the physical, yet non-physical nature of their relationship.This all-consuming love is revealed when he explains how he tested to dig up her body on the day she was buried. Heathcliff is pleased to see that Catherine st ill looks like herself after eighteen years but claims that if she had been dissolve into earth or words, he would have still been happy. His idea of heaven is to be completely united with Catherine in body, as well as in spirit and this could just as well mean to break up into dust together as to be joined in the act of love.In the final two chapters, we are given an extraordinary window into Heathcliffs mind in the chapter. Whenever he looks at something, he sees Catherine in it he hears her voice in every sound. This is Brontis idea of true haunting, which seems to resemble mania rather than scary noises in the dark. If the ghost of Catherine is at work, she has found her home in Heathcliffs mind and her vocation is distorting his perception and his ability to communicate with the away world.The presentation of love in the relationships between Catherine and Edgar and Catherine and Heathcliff are clearly deeply contrasting. Heathcliff represents passion and nature, whereas Edg ar represents culture. These two characteristics symbolize the duality in Cathys own temperament and it is her struggle between the two conflicting impulses that eventually consumes her. However, when Heathcliff and Edgar die and are both buried alongside Catherine, we can see how Bronti portrays that the two men will always have a place in her heart.